CARBON ARTS | creative solutions for a changing climate find us on: 
Energy is everywhere, embodied in all our materials, present in every movement, in every ray of light. We waste energy and we ignore vast potential. Climate change has resulted from our hunger for energy and the cheap, dirty sources we’ve chosen to exploit. In these artworks, energy is a key theme either through its generation – from innovative use of solar power to the use of waste to power sound, light and movement – or the provocation of the work. Artists are revealing the power and power structures evident in society and presenting alternatives.
Water Solar Harp, by Olaf Myer
Olaf Myer, a Melbourne artist, produced this concept of a solar water harp during a renewable energy residency at Federation Square. The work engages the community in understanding water and solar usage using an interactive experience involving sound installation and renewable energy technology.
Tiffany Holmes’ installation Dark Sky juxtaposes a table of lamps that can be turned on and off by visitors of the gallery with an animation of fireflies on a black screen. The flow of electricity from the collection of lamps determines the activity of the fireflies. When all the lights are on the fireflies are still, when all off they are numerous and in flight – and everything in between. A poetic way of visualising the impact of our energy use on the environment.
Tidy Street is the name of a residential street in Brighton and also the name of a project that engages residents in reducing their energy consumption. The high-tech – smart meters in every home – is combined with the low-tech – chalk sprayed on the road surface, to demonstrate the community’s progress in cutting carbon emissions. Local artist Snub was commissioned to do the artwork, which showcases significant progress – up to 30% reductions in some homes – and creates a great conversation piece for passersby.
The Park Spark project is an urban intervention that questions our waste infrastructure and engages people directly in re-imagining uses for waste products. Artist Matthew Mazotta has created a system that literally transforms dog waste into energy in a New York City park, avoiding waste to landfill. By turning a crank dog-owners power a methane digester and provide the fuel source for an adjacent gas lamp. This ‘eternal flame’ will burn until a member of the public suggests an alternative use for this ‘excess’ resource. Part education, part provocation and part solution, this innovative arts project reconnects people to their environment in a very tangible way.
Solar ballerinas – or audio tutus - is the work of Benoit Maubrey, who has developed a number of electro-acoustic scupltures. The tutus respond to the sun’s intensity by emitting sound that corresponds to the level of light. The tutus also pick up on local sounds and feed these back, generating sound loops. As the dancer moves the white noise and sampled sounds change, creating a performance that is fascinating and hard to ignore.
Nuage Vert, or Green Cloud, is a public art installation by artists He He performed in Helsinki in 2008 in collaboration with Helsinki Energy. By projecting green light onto the smoke emitted from a city power station the changing output of the station is visible. This provided a means for communicating the results of efforts to reduce energy use in the district, whereby campaigns to turn off lights, and so forth, had visible effect. Helsinki Energy initiated a release of real-time energy information as a result. A clever and simple way to provide a feedback loop to the public, Nuage Vert looks is seeking funds to do the same in Paris.
Buried light was a collaborative installation, by artist-designers Rachel Wingfield, Hiaz Gimachi and Greta Corke, at the V&A museum in London using dynamic wallpaper to represent domestic energy consumption in Britain. An immersive experience, participants could turn appliances on and off, which in turn affected the patterns and colour of the wallpaper.
Maria Michails is a Canadian artist working at the intersect of ecology, technology and society. Her Handcar Projects are interactive works that employ the dynamism and historical context of the handcar to literally take the viewer on a journey to explore themes such as energy, industrial processes and mining. Through activating the human powered handcar (and in another project a rowing machine) the installations provide a direct relationship between energy consumption and expenditure. In On the Grid (pictured), the work examines the conflicts between competing uses of land for energy, housing and food.
Sun Boxes are an environment to enter and exit. It’s comprised of twenty speakers operating independently each powered by solar panels. There is a different guitar sample in each box all playing together making the composition. The guitar samples are all of different lengths so the whole piece keeps evolving. Participants are encouraged to walk amongst the speakers. It sounds different inside of the array. There is a different sense of space inside. Certain speakers will be closer and louder therefore the piece will sound different to different people in different positions throughout the array. Creating a unique experience for everyone. There are no batteries involved. The Sun Boxes are reliant on the sun. When the sun sets the music stops. The piece changes as the length of the day changes. Making the participants aware of the cycle of the day.