Creative solutions for a changing climate
Here’s where we share all the cool projects we’ve come across. Ones that inspire, surprise and touch the heart. In all these ways we see how artists open new avenues for change. Click on the categories below to browse our directory of projects. Enjoy!
Birding the Future is a sound and stereoscopic installation that brings extinct birds back to life. Reflecting on the role of birds as warning messengers and their disappearance as part of the ‘sixth extinction’, the project asks: “What does it mean that we can only see and hear extinct species through technology? How can traditional ecological knowledge be combined with technological advances to increase awareness of our role in the environment?”
Artist Jiayu Liu uses wind data from 40 Chinese cities to power a poetic installation that seeks to test the boundaries of data representation at the same time connecting us to a powerful force of nature. An innovative use of city data, we’re excited by what the work of this RCA graduate might bring to the realisation of more sensitive and sustainable urban environments.
Could it take a a synthetic representation of nature to jolt us back into re-appreciating its beauty and our reliance upon it? That’s one the questions Pierre Proske is seeking to explore with his Brickets. So named for their chirping sounds and brickish size, the Brickets reinterpret data from local environmental sources such as the nearest home’s water usage, into animal like calls, which rise and ebb in response to one another, much like a synthesised colony of frogs, cicadas or crickets.
KiloWatt Hours, by Sydney based artist Tega Brain, uses lasers to inscribe in space the fluctuations of energy used by the surrounding building over time. KiloWatt Hours thus converts energy meter data into the readable form of an ‘energy clock.’, and the audience is prompted to consider the invisible consumption of energy in everyday life. Over time the laser light fades, and KiloWatt Hours forgets itself, in the same way we let our own energy use slip from memory.
A simple representation of Sydney’s climate data, Mitchell Whitelaw’s Measuring Cup makes it possible to hold the past 150 years of temperature information in the palm of your hand. Generated and printed using 3D technology, Measuring Cup uses temperature averages, like the rings of a tree, only stacked vertically. The result is delicate and beautiful, like the climate it represents, and it raises the question ‘what shape will it take in 10, 20 or 50 years?’
Michael Pinsky transformed Belgium’s four largest wind turbines into an ecological monitor or meter displaying the energy and water consumption and noise and waste generation of a night-time festival. These were indicated by the movement of rings of light up and down the turbines communicating the ecological pulse of the festival to the surrounding region.
The Beat Your Mouse Movement is a project by Kitchen Budapest to encourage people to walk farther in a day than the distance travelled by their computer mouse. Believe it or not, after 8 hours in front of a PC, the small movements of a mouse add up! Through an application, called Mousey, that tabulates the distance travelled by the mouse, the user is challenged to enter in distanced walked through an i-Phone ap, or pedometer. Pachube’s online platform for data sharing makes all this data open source. A great message and means to get balance back into our lives, and combat unsustainable behaviour patterns.
The Organographis the winning entry of San Jose city’s Climate Clock Initiative, which called for public art proposals to communicate and engage the public on climate change over a period of 100 years. An ambitious vision, the Organograph is a moving educational showcase that plants a path and garden depicting real-time concentrations of carbon in the atmosphere as well as average annual temperatures. Solar powered and standing at 5 stories when it is eventually built, the work has an associated education and communication strategy that ensures it will reach to many as a powerful communicator of otherwise intangible and invisible phenomena. The work of Geo Homsy, Chico MacMurtrie and Bill Washabaugh, the Organograph is an exemplar of inter-disciplinary collaboration.
The Recology Artist in Residence program in San Francisco started twenty years ago in 1990 to invite artists to produce works sourced from the waste stream, as part of a program to educate the public at a time when curb-side recycling was introduced. This exhibition, at Intersection Arts, celebrates the impressive body of work generated from materials that would otherwise have gone to waste. The artists involved often became strong spokespeople for environmental issues following their experience.
Heralding the arrival of new and renewable wind power to the City of Sydney, Earth versus Sky is a nightly performative artwork in the City of Sydney, Australia. As the sun begins to set, an onsite surveillance camera takes a picture of the sky and calculating an average colour for every 5 seconds during 1.5 hours, the installation re-projects the inverse of this colour onto two, large Moreton Bay Fig trees, with spectacular results. The work of artist, Allan Giddy, himself a pioneer in renewable energy technologies, Earth v Sky brings a new awareness and sensitivity to the environment through public art.