Creative solutions for a changing climate
Here’s where we share all the cool projects we’ve come across. Ones that inspire, surprise and touch the heart. In all these ways we see how artists open new avenues for change. Click on the categories below to browse our directory of projects. Enjoy!
Birding the Future is a sound and stereoscopic installation that brings extinct birds back to life. Reflecting on the role of birds as warning messengers and their disappearance as part of the ‘sixth extinction’, the project asks: “What does it mean that we can only see and hear extinct species through technology? How can traditional ecological knowledge be combined with technological advances to increase awareness of our role in the environment?”
Artist Jiayu Liu uses wind data from 40 Chinese cities to power a poetic installation that seeks to test the boundaries of data representation at the same time connecting us to a powerful force of nature. An innovative use of city data, we’re excited by what the work of this RCA graduate might bring to the realisation of more sensitive and sustainable urban environments.
Could it take a a synthetic representation of nature to jolt us back into re-appreciating its beauty and our reliance upon it? That’s one the questions Pierre Proske is seeking to explore with his Brickets. So named for their chirping sounds and brickish size, the Brickets reinterpret data from local environmental sources such as the nearest home’s water usage, into animal like calls, which rise and ebb in response to one another, much like a synthesised colony of frogs, cicadas or crickets.
KiloWatt Hours, by Sydney based artist Tega Brain, uses lasers to inscribe in space the fluctuations of energy used by the surrounding building over time. KiloWatt Hours thus converts energy meter data into the readable form of an ‘energy clock.’, and the audience is prompted to consider the invisible consumption of energy in everyday life. Over time the laser light fades, and KiloWatt Hours forgets itself, in the same way we let our own energy use slip from memory.
A simple representation of Sydney’s climate data, Mitchell Whitelaw’s Measuring Cup makes it possible to hold the past 150 years of temperature information in the palm of your hand. Generated and printed using 3D technology, Measuring Cup uses temperature averages, like the rings of a tree, only stacked vertically. The result is delicate and beautiful, like the climate it represents, and it raises the question ‘what shape will it take in 10, 20 or 50 years?’
With the advent of pervasive data and new sensing technologies artists have quite literally become barometers, seizing upon new materials and techniques to create instruments to measure and translate the natural environment.
Live Forever is the work of artists Jenna Didier and Oliver Hess whose practice Infranatural seeks to tie the built environment to the natural pulse of a living city. A Los Angeles fire station is host to the public art work, which acts as a barometer of the county’s fire risk through a web of humidity & temperature sensors stretched across the facade like a a growing vine. LED lights at each node flash across the building in shades of blue to red, making people aware of their environment, frequently warning them to take care with sparks and cigarettes.
The Organographis the winning entry of San Jose city’s Climate Clock Initiative, which called for public art proposals to communicate and engage the public on climate change over a period of 100 years. An ambitious vision, the Organograph is a moving educational showcase that plants a path and garden depicting real-time concentrations of carbon in the atmosphere as well as average annual temperatures. Solar powered and standing at 5 stories when it is eventually built, the work has an associated education and communication strategy that ensures it will reach to many as a powerful communicator of otherwise intangible and invisible phenomena. The work of Geo Homsy, Chico MacMurtrie and Bill Washabaugh, the Organograph is an exemplar of inter-disciplinary collaboration.
Greenmeme’s Hyperion-Son of Uranus is a sculptural visualisation of the sewerage infrastructure of LA county, represented as a time-stamp in 2009. Commissioned for the new Environmental Learning Center for the Hyperion Wastewater Treatment plant, the grid-like structure bulges where pipes are largest creating a unique topography from volumetric data. Fashioned from recycled street signs collected from CalTrans over 3 years, Hyperion flashes green and silver as light hits the surface, a reminder of the multiple layers of infrastructure both visible and hidden.
A new interactive sculpture at the Texas State University Campus aims to draw comparisons between it’s students and it’s local river life. Representative of a school of fish, visitors can interact with Fish Bellies by climbing on it and influencing its colour changes. It’s creators, JB Public Art, hope that by drawing comparisons between the social behaviour of fish and of students, the latter can become curious and engaged in the ecology and biology specific to their campus.