Creative solutions for a changing climate
Here’s where we share all the cool projects we’ve come across. Ones that inspire, surprise and touch the heart. In all these ways we see how artists open new avenues for change. Click on the categories below to browse our directory of projects. Enjoy!
Birding the Future is a sound and stereoscopic installation that brings extinct birds back to life. Reflecting on the role of birds as warning messengers and their disappearance as part of the ‘sixth extinction’, the project asks: “What does it mean that we can only see and hear extinct species through technology? How can traditional ecological knowledge be combined with technological advances to increase awareness of our role in the environment?”
Artist Jiayu Liu uses wind data from 40 Chinese cities to power a poetic installation that seeks to test the boundaries of data representation at the same time connecting us to a powerful force of nature. An innovative use of city data, we’re excited by what the work of this RCA graduate might bring to the realisation of more sensitive and sustainable urban environments.
Could it take a a synthetic representation of nature to jolt us back into re-appreciating its beauty and our reliance upon it? That’s one the questions Pierre Proske is seeking to explore with his Brickets. So named for their chirping sounds and brickish size, the Brickets reinterpret data from local environmental sources such as the nearest home’s water usage, into animal like calls, which rise and ebb in response to one another, much like a synthesised colony of frogs, cicadas or crickets.
KiloWatt Hours, by Sydney based artist Tega Brain, uses lasers to inscribe in space the fluctuations of energy used by the surrounding building over time. KiloWatt Hours thus converts energy meter data into the readable form of an ‘energy clock.’, and the audience is prompted to consider the invisible consumption of energy in everyday life. Over time the laser light fades, and KiloWatt Hours forgets itself, in the same way we let our own energy use slip from memory.
A simple representation of Sydney’s climate data, Mitchell Whitelaw’s Measuring Cup makes it possible to hold the past 150 years of temperature information in the palm of your hand. Generated and printed using 3D technology, Measuring Cup uses temperature averages, like the rings of a tree, only stacked vertically. The result is delicate and beautiful, like the climate it represents, and it raises the question ‘what shape will it take in 10, 20 or 50 years?’
Natalie Jeremijenko’s xAirport project for the SJ01 festival is on the surface a fun zipline flight for participants to fly like a bird within a 10 foot wingspan over a constructed wetland. But of course, there are a host themes being explored through this participative performance. The recent decision by the FAA to ease the passage to personal sport-piloting threatens to put further stress on the environment, unless those small craft are encouraged to make ‘wet-landings’. Whereas air flight has contributed to date to major wetland loss through airport construction, small personal craft owners have the option to build wetland landing strips, and turn this trend around. Can we re-imagine flight and make personal airborne travel a viable alternative to infrastructure-heavy options?
The 2010 State of Design Festival in Melbourne focussed on the role of Design to effect change. Many environmental themes were explored, including A Liveable Cities Exhibition, sponsored by Melbourne Water, which brought together leading Melbourne designers to present fascinating installations relating to current water use and suggestions for sustainable change. Pictured is one work, which encouraged people to take home a tube, each containing a prediction of the future, to consider. An interesting example of how a company can harness the arts to visualise and communicate environmental relationships to help meet its goals.
Solar ballerinas – or audio tutus – is the work of Benoit Maubrey, who has developed a number of electro-acoustic scupltures. The tutus respond to the sun’s intensity by emitting sound that corresponds to the level of light. The tutus also pick up on local sounds and feed these back, generating sound loops. As the dancer moves the white noise and sampled sounds change, creating a performance that is fascinating and hard to ignore.
Requiem for Fossil Fuels is the work of sound artists Bruce Odland and Sam Auinger (O+A). The performance features four accomplished singers chanting the requiem alongside O+A’s eight-channel digital orchestra of city sounds collected over 20 years and representing the voices our fossil-fuelled society – from helicopters to rush hour traffic to steel manufacturing. The Requiem is on tour in 2010, and was performed at St Joseph’s church in San Jose as part of the SJ01 festival to a standing ovation. O+A describe the work as a ‘timely and deep meditation on the culture, its fascinations, and its future’.
Birding the Future is a sound and stereoscopic installation that brings extinct birds back to life. Reflecting on the role of birds as warning messengers and their disappearance as part of the ‘sixth extinction’, the project asks: “What does it mean that we can only see and hear extinct species through technology? How can traditional ecological knowledge be combined with technological advances to increase awareness of our role in the environment?”