Here’s where we share all the cool projects we’ve come across. Ones that inspire, surprise and touch the heart. In all these ways we see how artists open new avenues for change. Click on the categories below to browse our directory of projects. Enjoy!

5 Recent Things

Within Invisibility

Artist Jiayu Liu uses wind data from 40 Chinese cities to power a poetic installation that seeks to test the boundaries of data representation at the same time connecting us to a powerful force of nature. An innovative use of city data, we’re excited by what the work of this RCA graduate might bring to the realisation of more sensitive and sustainable urban environments.


Could it take a a synthetic representation of nature to jolt us back into re-appreciating its beauty and our reliance upon it? That’s one the questions Pierre Proske is seeking to explore with his Brickets. So named for their chirping sounds and brickish size, the Brickets reinterpret data from local environmental sources such as the nearest home’s water usage, into animal like calls, which rise and ebb in response to one another, much like a synthesised colony of frogs, cicadas or crickets.

KiloWatt Hours

KiloWatt Hours, by Sydney based artist Tega Brain, uses lasers to inscribe in space the fluctuations of energy used by the surrounding building over time.  KiloWatt Hours thus converts energy meter data into the readable form of an ‘energy clock.’, and the audience is prompted to consider the invisible consumption of energy in everyday life. Over time the laser light fades, and KiloWatt Hours forgets itself, in the same way we let our own energy use slip from memory.

Measuring Cup

A simple representation of Sydney’s climate data, Mitchell Whitelaw’s Measuring Cup makes it possible to hold the past 150 years of temperature information in the palm of your hand. Generated and printed using 3D technology, Measuring Cup uses temperature averages, like the rings of a tree, only stacked vertically. The result is delicate and beautiful, like the climate it represents, and it raises the question ‘what shape will it take in 10, 20 or 50 years?’


Modelled on any other health clinic, Natalie Jeremijenko’s NYU xClinic prescribes treatments for your environmental aches and pains. Newsmotion is a prototype for a roaming bulletin board which can be retro-fitted to your bike wheels, and delivers data to those around you based on where you are. For instance, onlookers might be made aware of pedestrian and cyclist fatality statistics for the very corner they’re standing on, thereby bringing the data to life.

5 Random Things

xAirport - Prepare for Wet-landings!

Natalie Jeremijenko’s xAirport project for the SJ01 festival is on the surface a fun zipline flight for participants to fly like a bird within a 10 foot wingspan over a constructed wetland. But of course, there are a host themes being explored through this participative performance. The recent decision by the FAA to ease the passage to personal sport-piloting threatens to put further stress on the environment, unless those small craft are encouraged to make ‘wet-landings’. Whereas air flight has contributed to date to major wetland loss through airport construction, small personal craft owners have the option to build wetland landing strips, and turn this trend around. Can we re-imagine flight and make personal airborne travel a viable alternative to infrastructure-heavy options?

Acid Rain

Nigerian artist Ugochukwu Eke‘s work ACID RAIN, produced for the RETHINK exhibition in Copenhagen 2009, consists of 6,000 hanging plastic bags. They sparkle, grey, clear and black, like Christmas decorations, but they contain carbon dust – currently choking the inhabitants of the delta region of Nigeria, an area of massive oil exploration. His work focuses on complete disregard for the environment by authorities and individuals.

Climate Clock

The Climate Clock Initiative seeks to generate a work of public art in San Jose that draws on the technical and artistic prowess of silicon valley to engage the population in understanding and acting on climate change. The work is to last 100 years and be designed to a budget of $20million. Started as a competition, a number of short-listed teams have been working since 2008 to develop the winning concept, which was revealed in 2012 as the Organograph. The Initiative also seeks to expand the concept to other cities worldwide, to combine cutting edge technology for data measurement and display with arts’ power to communicate and engage.

Edible Estates

American artist Fritz Haeg is leading a project which aims to encourage families and other housing groups to replace the ubiquitous front lawn with edible front gardens. Each garden responds to its specific location and conditions, with a view to promoting ‘a more productive use of the land between our homes and the street, and a closer relationship with neighbours, our food, and the natural environment.’ While most of the prototype gardens are in the United States, Edible Estates are cropping up (pardon the pun) in parts of Europe as well, however, the artist considers it a global project and the website is full of information on how we can all nurture our own food bowl.


Mirage brings an iceberg to a city’s public square using 3D photography and a unique viewing system that allows for an up-close and personal experience of wonder. Through the positioning of binocular shaped ‘viewers’ around Melbourne’s iconic Federation Square, artist David Burrows creates the actual scale of the iceberg, which took about 30 minutes to walk around and occupied the same space as many city centre buildings. Burrows developed Mirage from an expedition to Antarctica as 2011’s Australian Antarctic Division Arts Fellow, Visual Artist.